The ThreeSixtyEight Story: Ten Years of a Baton Rouge Creative Agency

ThreeSixtyEight is a creative and technology agency in Baton Rouge, Louisiana, founded in 2016 when two companies sitting 368 feet apart on the same street decided to become one. The name is the distance. In the decade since, the agency has earned two National ADDY Best in Show awards, become a Webflow Enterprise Partner in the top 5% worldwide, and produced national work for the Miami Dolphins, Crystal Dynamics' Tomb Raider, Opportunity@Work, and LSU. This is that story, told in 368 seconds on film, and written out below.

It started 368 feet apart

Before ThreeSixtyEight existed, there were two companies, both in Baton Rouge, both on the same street, both trying to figure it out. The distance between the two offices was 368 feet. In 2016 they merged, kept the number, and built a company around it.

"We looked at each other 368 feet apart and said, what if we just did this together. And that was it, that was the beginning." — Jeremy Beyt, CEO and co-founder

The earliest days were organized chaos: a tiny office, no business plan, and an outsized amount of optimism. It was enough to land clients the team never expected to work with.

2016–2019: Learning to play at a national level

The company launched in 2016 and immediately won its first National ADDY Best in Show, for the 10 Days project, the moment the team realized it could compete nationally. That same year, ThreeSixtyEight produced the Raising Cane's 20th Anniversary Summit, and the worst flood in Baton Rouge's history hit the city the company had just bet everything on.

In 2017 the agency launched its conference series, Assembly Required, producing four events in its first year, and worked with Drew Brees. In 2018 it moved into a new studio and shot its first national spots, for Walk-On's. In 2019 it won Louisiana Economic Development — its largest account to that point, and built the Auctioneer Innovation Hub, its first foray into experiential work. That was the year ThreeSixtyEight learned what it meant to operate as a real agency.

2020–2021: Going remote, betting on Webflow

The office closed in 2020. Rather than slow down, the team launched a webinar series, helped launch Louisiana's COVID-19 contact-tracing app, and raised $100,000 for frontline workers. It also began building experimental Webflow projects, work that would become a defining capability.

That bet paid off fast. In 2021, Webflow featured ThreeSixtyEight in its Generation No-Code documentary, the agency's web engineer Tim Ricks became one of the most recognized educators in the Webflow community, and the team began work with the Miami Dolphins. The experimental projects of 2020 grew into a practice that now makes ThreeSixtyEight a Webflow Enterprise Partner in the top 5% of partners worldwide, with builds for clients including Crystal Dynamics' Tomb Raider.

2022: The hard year

In 2022, the agency's largest client rolled off, taking roughly 20% of revenue with it. For the first time in company history, ThreeSixtyEight had to do a layoff. The team's response was to build: Aisle 3, an in-house film studio, was born out of that year.

2023–2024: Back, and bigger

By 2023, ThreeSixtyEight was on its feet again. Assembly Required returned, and the agency became part of the national Tear the Paper Ceiling campaign alongside the Ad Council — work that earned its second National ADDY Best in Show.

In 2024, the focus turned home. ThreeSixtyEight produced a national spot for LSU and launched Better in BTR, a national campaign for Baton Rouge that drew together a decade of the agency's community work in one place.

2025–2026: Rebuilding, on purpose

In 2025, the agency restructured and rebuilt, a year of stepping into new roles and proving the team was at its strongest when challenged. In 2026, ThreeSixtyEight turned ten.

"Our value is no longer in what we make. It's in what we make happen." — Jeremy Beyt, CEO and co-founder

What ThreeSixtyEight is today

ThreeSixtyEight is The Challenger Agency™ — a creative and technology agency in Baton Rouge, Louisiana, with 26 employees and a decade of work behind it. Since 2016, the agency has helped 560+ organizations build brands, websites, and campaigns. It was the first Baton Rouge company to earn B Corporation Certification, holds two National ADDY Best in Show awards, and is a Webflow Enterprise Partner in the top 5% of partners worldwide. Its work runs across sports and entertainment, government, education, healthcare, nonprofit, and enterprise B2B.

The next ten years are being written now.

Frequently asked questions

What is ThreeSixtyEight?ThreeSixtyEight is a creative and technology agency in Baton Rouge, Louisiana, founded in 2016. It builds brands, websites, and campaigns for national clients across sports, government, education, healthcare, and enterprise B2B, and is a Webflow Enterprise Partner in the top 5% worldwide.

Why is the agency called ThreeSixtyEight?ThreeSixtyEight is named for the 368 feet between the two Baton Rouge offices that merged to form the company in 2016. Its anniversary film runs exactly 368 seconds as a nod to the same number.

What awards has ThreeSixtyEight won?ThreeSixtyEight has won two National ADDY Best in Show awards — for the 10 Days project in 2016 and Tear the Paper Ceiling in 2023. It is also a three-time Inc. 5000 honoree, a Certified B Corporation, and the #1 Small Business in Baton Rouge Business Report's Best Places to Work.

Who founded ThreeSixtyEight?ThreeSixtyEight was founded in 2016 by Jeremy Beyt (CEO) and Nick Defelice (COO), when two Baton Rouge companies on the same street merged into one.

What clients has ThreeSixtyEight worked with?ThreeSixtyEight has produced work for the Miami Dolphins, Crystal Dynamics' Tomb Raider, Opportunity@Work, LSU, Louisiana Economic Development, Raising Cane's, and Walk-On's.

Watch the full film: The ThreeSixtyEight StorySee the work: threesixtyeight.com/workMeet the team: threesixtyeight.com/about